17.4.17

Hernán Cattáneo: Balance Sudbeat Review


Hernán Cattáneo: Balance Sudbeat
Review by Sarah Ikerd

Every picture you see of Hernán Cattáneo he appears either placidly serious or lucidly happy, the bodhisattva of mixologists. And you could say his saintly patience for blending tracks comes from the maturity of age, but he's been mixing like that his entire career. His fundamental aesthetic hasn't changed. He's carried the torch for transcendent style progressive house for about three decades.

Cattáneo's latest Sudbeat two part mix is elongated, because that's his forte, the style conducive to a calm, patient state of mind. It isn't in a hurry to get where it's going. It's a different sort of party than one with extreme highs and lows. This sounds like the extroversion of introspection.

The mix opens with ambient sounds then rolls into Doors style organ as if we're descending upon wherever in the world Cattáneo is flying. It's soothing, restrained. The bass rich kick gathers just enough steam to sound like spiritual sex in the soul hotel. There are beautiful rewards along the way, like when Ben Shaw's "Above The Clouds" emerges and morphs into "Elegy" by Conures. The first half indeed flows together like one, with the movement of "Everest" to "Embers" imperceptible because they're so complimentary.

Both parts feature exclusives from Cattáneo's Sudbeat label. "Fantasy" with Soundexile (Oliverio Sofia & Pablo Alejandro Carr), also from Buenos Aires and frequent collaborators, lauds the imagination. "Closer" is another collaboration of theirs, and builds a mystique that climbs into "Savannah" by Nick Warren & Tripswitch.

The second half is the continued soundtrack of an open-ended pilgrimage, with bending sitar and a faster tempo. Gradually it delves deeper with mysterious earthy percussion and a galloping beat. Standout tracks are "Imma" by Audio Junkies & Lonya and "Deneb" by Cattáneo & Soundexile. All the selections are pleasant individually, but better together.

What more is there to say except the overall progression is exquisite. "El Maestro's" treatment of harmonies and words imply a spiritual depth of presence. Like other upper echelon "Renaissance Masters," he's in it for life, and encourages other artists as well.

There's a rebirth of progressive house happening and it's anything but dated. It was always the island sound of utopia, which hasn't arrived to the rest of the world yet. This is what Hernán Cattáneo perpetuates in dance music.

30.1.14

Review: Steve Bug - Simple, Thick & Raw


Steve Bug
Simple, Thick & Raw
Poker Flat Recordings (PFR 144)
words: Sarah Ikerd



Don’t expect dramatic build-ups and breakdowns from Berliner and Poker Flat bossman Steve Bug. As he informed Ibiza Voice last year: “For me it’s happening in the hips and in the head.” Like his long list of releases prior, “Simple, Thick & Raw” is taut hypno-house perfect for slow-burning parties and aurally absorbed revelers.


The four tracks are moody minor key affairs in keeping with Poker Flat’s history of slightly menacing funkiness. “Thickest Bass” is the punchiest with a tough and low vocal that proclaims “the thickest bass on the planet.” While this may not be exactly true, the sentiment sinks in with repetition and proper amplification. Steve Bug has an undeniable knack for crafting a clean, captivating groove. As Sasse put it: “Bug never lets you down.”


It’s easy to imagine combining any number of intoxicating acapellas with
Smoking Parrot.” Its sedulous echoes and breathy vocal sample evoke the backtalk from either fowl or foe. The atmospheric redundancy continues with “Life In Circles,” which is part of the digital version of the release. And the simple melodic patterns that propel “The Arpeggio” overlap and build slightly in intensity, smoldering without starting a fire.   


This is not a ground-breaking or surprising release. However it is highly useful and definitely the work of a stalwart professional.      




2.2.13

Vision






john thomas - vision, aril brikha remix - logistic records 2003 [france] 



:: d o w n l o a d ::

24.10.12

Odd Circuit Chop 1: Wonder Girls - Like Money


Here's what happened when I messed around with the instrumental and acapella stems from the Wonder Girls' "Like Money" in Ableton:





Next I should find the patience to reorganize this, stretch it out and focus on those tricky transitions

4.10.12

3.10.12

In Progress: Orbital - Where Is It Going [Odd Circuit Remix]



Here's the first bit of the Orbital remix I'm working on: